My interest in audio production started at a very young age. I became entrenched in sound design by the age of 11, circuit bending my parents Casio keyboard and listening to anything I could get my ears on.

Today I have fought my way into some prestigious recording studios - working under Otis Mcdonald at Hyde Street Recording, Dan Fieszli at Opus Recording, and Danielle Goldsmith at John Vanderslice’s Tiny Telephone Studios.

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As studio musician